12/31/2022 0 Comments Miles davis discography duranHis style of bebop was so aggressive that the term “hard bop” was coined to describe the music that Art Blakey and the Jazz Messengers played from the 1950s through the late ’80s. ![]() Still active in the drumming community, Blaine’s legacy continues to inspire new generations of musicians. Ringo Starr and Jim Keltner, among others, have called Blaine a big influence. His milestone drum track for The Ronettes’ “Be My Baby” is a perfect example of Phil Spector’s Wall Of Sound that has been often imitated, but never duplicated. One of the world’s most recorded musicians, Blaine was the perfect studio ace he provided great feel, intelligence and energy to records by The Beach Boys, Simon and Garfunkel, Frank Sinatra, The Byrds and countless others. It would probably be easier to name the ’60s Top 10 hits Blaine didn’t play on than the ones he did. His work for Chess recording stars Little Walter, Bo Diddley, Elmore James and others still stands out today as a benchmark in the transition of the blues from its acoustic rural roots to an electric urban grittiness. Goode,” influencing a whole new era of rockers like The Beatles, the Rolling Stones and The Beach Boys. By combining a two-beat feel on the kick and snare with a swinging broken triplet on the hi-hat, Below drove the rhythm train on Chuck Berry’s landmark hits like “Rock And Roll Music” and “Johnny B. Fred Belowīorn in Chicago in 1926 and schooled in jazz, Below helped forge rock and roll and electric blues drumming at Chicago’s legendary Chess Records. He was the first to successfully implement a second bass drum in his setup, and his playing is notable for its technical precision and swing. After working with Tommy Dorsey and Harry James, Bellson joined the Duke Ellington Orchestra, proving himself not only as a drummer but also as the composer of “Hawk Talks” and “Skin Deep.”īellson later became musical director for his wife, Pearl Bailey, while maintaining an active recording and performing career of his own. Louis Bellsonīellson’s first recognition occurred at age 16 when he won the national Gene Krupa drum contest, and a couple of years later he replaced Krupa in the Benny Goodman band. ![]() Barrett passed away in 1987, but left behind a body of work that helped define the roots-reggae style. The classic Talkin’ Blues, released after Marley’s death, is an outstanding live account of the Wailers’ seamless rhythm grooves from their first U.S. Originally part of The Upsetters, Lee “Scratch” Perry’s in-house recording outfit, Barrett left to tour and record extensively with the Wailers, contributing his dub sensibility and organic playing to such reggae classics as “Jamming,” “I Shot The Sheriff” and “One Love.” Carlton BarrettĪlong with his brother, Aston “Family Man” Barrett on bass, Carlton Barrett laid down the “riddim” for The Wailers, reggae legend Bob Marley’s crackerjack backing band. ![]() In recent years he has become a prolific solo jazz artist. Seeming to fuse the two, it actually does something entirely more revolutionary and open-ended: blending the most avant-garde aspects of Western music with deep grooves, the album rejects both jazz and rock for an entirely different idea of how music can be made.Baker’s style was a punishing double-bass frenzy, punctuated by extended solos on tracks like “Toad” and odd-meters on tunes like “Do What You Like.” Cream split up after only two years, and Baker floated through a variety of projects, including the underrated Blind Faith and the overly ambitious Airforce. Bitches Brew is still one of the most astonishing albums ever made in either jazz or rock. At the end, there was the newly minted Prince of Darkness, a completely new way forward for jazz and rock, and the endless brilliance and depth of Bitches Brew. Working with his essential producer, Teo Macero, Miles set a cauldron of ideas loose while the tapes rolled. Following the circumscribed grooves and ambiance of In A Silent Way coming off a tour with a burning new quintet-called 'The Lost Band'-with Wayne Shorter, Chick Corea, Dave Holland and Jack DeJohnette he went into the studio with musicians like frighteningly talented guitarist John McLaughlin, and soulful Austrian keyboardist Joe Zawinul. Rock music was flying off in every direction, just as America itself seemed about to split at its seams. It was 1969, and Miles Davis, prince of cool, was on the edge of being left behind by a dynamic generation of young musicians, an important handful of whom had been in his band.
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